These are the first of the guitars that Yamaha have equipped with their new Atmosfeel pickup and preamp system. In addition, there is the more economical FGX3 and FSX3 – these models are made in China, and whilst still feel like solid guitars – use the cheaper urea material for the nut and saddle, along with plastic pickguard and bridge pins, plus come with a Yamaha soft-bag. The great tone and smooth playability of the Red Label FSX5 is enhanced by Yamaha's A.R.E. Note attack cuts through, yet it maintains a certain warmth – probably due to its aged solid top and mahogany body. It felt and sounded so good that I decided to take a chance and ordered an FGX5 from Sweetwater. (Acoustic Resonance Enhancement) process, which gives your guitar a broken-in and aged tone. I figured if it didn't make the grade that I would just return it. The new FG/FS Yamaha Red Label folk guitars – in what seems like almost every release of Yamaha guitars these days – claim to harness the style of classic guitars, with a few modern additions. The bridge pins are ebony, meanwhile. HyperFocal: 0 by Nick Ryan Piescor December 27, 2019, 12:18 pm. England and Wales company registration number 2008885. It’s interesting to note that, at first glance, the word that springs into your mind here is, obviously, ‘dreadnought’, but Yamaha insists that this is not the case, preferring to use its original term ‘Traditional Western’. The action is slightly higher than we’d like, however. Plugging this guitar into a PA yields an incredibly natural sound that as an audio engineer I haven’t come across before. The finish on this instrument is referred to by Yamaha as being ‘semi-gloss’, but, by all accounts, could easily be dubbed ‘satin’ to our eyes. There was a problem. MusicRadar is part of Future plc, an international media group and leading digital publisher. The original red label Yamahas have become sought after on the collector market and, if this reissue is anything to go by, it’s easy to see why. A few initial noodles reveal a good combination of treble and bass, the former perhaps a little on the light side, but no cause for concern to our ears. CLA EchoSphere: Waves’ free Black Friday VST plugin is a slap delay and plate reverb from Chris Lord-Alge. While the pickup and body sensor output a sound that is sharp and detailed in attack, blending in the mic via the blend knob gives the sound incredible warmth. Arriving in the midst of what James Taylor refers to as “the great folk scare of the 60s”, the Folk Guitar Range was the perfect antidote for novitiates with permanently sore fingers and tuning fatigue. After quietly celebrating the 50th anniversary of the iconic red label acoustics in 2016, Yamaha decided it was time to revisit the range, employing some modern tweaks and upgrades along the way. The new FG/FS Yamaha Red Label folk guitars – in what seems like almost every release of Yamaha guitars these days – claim to harness the style of classic guitars, with a few modern additions. Apart from having a slightly rounder body shape, the FS models are around 30mm narrower and slightly shorter in body length and depth – though all guitars in this series share the same 25” scale length. When amplifying, the pickup sound would be ideal when used in a band or ensemble environment for its ability to cut through, whereas dialling in more of the mic tone would suit the solo performer for its full-bodied and natural sound. The fretboard is ebony, with 20 well-seated medium frets with pearl dot position markers in the accustomed places. The body is finished in semi-gloss finish, while the neck has a matte finish for smooth playability. Yamaha’s new FG/FS Red Label lineup visually evokes those early red-label FG Yamaha steel-strings. Yamaha FGX5 Acoustic Guitar Review . The finish on this instrument is referred to by Yamaha as being ‘semi-gloss’, but, by all accounts, could easily be dubbed ‘satin’ to our eyes, The FG5 has Sitka spruce top, which Yamaha tells us is sourced from either Canada or Alaska, and it has been subjected to Yamaha’s Acoustic Resonance Enhancement - ARE for short - which is the company’s take on the practically universal torrefaction process where the wood is heated, and, in the company’s own words: “The ARE process gives the instrument a rich, vintage-quality tone, producing a sound like you’ve been playing it for years.”. The above mentioned models all feature the new Atmosfeel electronics system, which includes the combination of your standard undersaddle pickup with the addition of a body contact sensor, as well as being able to blend in the sound of an internal microphone. All rights reserved. Pitched in the lower-mid price range, it would keep a beginner to semi-pro happy for years. We check over 130 million products every day for the best prices. All in all, it’s a good all-rounder that will suit many tastes and playing styles, so we’d like to say a hearty welcome back to these iconic instruments and, who knows, if you come across one, you might want to have a red label day of your own. Yamaha coin the phrase ‘tradition meets innovation’ – and while some may argue that there isn’t much truly innovative about this particular series of guitars, you can’t fault the playability of a well-built acoustic instrument. Receive news and offers from our other brands? 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